“Painting Trains is a Children’s Game. Chalk and Spraypaint on German Regional Train. And a Relaxed Impression from the Playground.” Thanks to Bravent/CICrew.
After the Laughter – Herakut
Here is a preview of “AFTER THE LAUGHTER –This is the 2nd book of Herakut. The 1st one was focused on their work from 2004 to 2008. The new one is about Hera & Akut collaborations from 2009 to 2011.
The book looks like a hand-made scrapbook with sketches & photos. It is a must have for their hardcore fans.
After the Laughter
The 2nd book of Herakut
Jasmin Siddiqui, Falk Lehmann
Hardcover, 21 cm x 26 cm, 240 Pages, 29,90 €
ISBN: 978-3-939566-36-6
publikat.de
Ellos vendrán esta noche, Neuzz.
Neuzz. Mexico City, 1980.
A couple of weeks ago, Neuzz presented his first solo show at Border, in Mexico City. The opening occurs during the celebration of Día de Muertos, a very special date for him.
The exhibition is his personal way to thank to every important people a long his life, offering to all his memories and tales of childhood.
“Personalmente, creo que no existe una formula estricta sobre como presentar una ofrenda para nuestros muertos, creo que una ofrenda debe de ser algo tan personal que cada quien habrá de tener la libertad de plantear mediante su imaginación su propia forma de estructurarla.”
-Neuzz
Photos from Denmark…
A few pictures from Denmark. Mainly Copenhagen, with one exception…
Traditional Graffiti is the dominant style here in DK, but the pictures below features works that are a bit different…both from foreign and local artists.
In the future my posts will be more of a mixed bag.
Gris & Bom.K
Ikaroz
Ikaroz
Lead The Fools (more…)
Bike art – Bicycles in art around the world
Your parents and grand-parents certainly dreamt about sport-cars, your old brother or your uncle probably dreamt about sneakers & skateboards. Today’s young generations are more likely to dream about bike (& smart phones) especially if they live in San Francisco or Berlin.
The evolution of bicycle is one that is not well known, but the results are apparent throughout the world. There have been many improvements on it and technology has helped a lot. Websites like ScooterAdviser have reviewed the best bikes made by many manufacturers. There is no shortage of options when it comes to choosing one and kids have loved it since.
Publikat & Kiriakos Losifidis from Carpe Diem who published previously the Mural Art series (vol 1 – vol 2 – vol 3) probably think the same way, and they made that big book about bicycles in art. I just hope they don’t plan to make a book about smart phones :-)
I may sound a bit sarcastic but the book is -much to my surprise- extremely good.
There are several chapters in that book to celebrate bicycle: Urban Art (aka street/graffiti-art), Paintings, Illustrations, sculptures…
The 1st one about Urban art is not the most interesting, it looks a bit artificial to me, like a random selection of photos of graffiti where a bike has been painted, nothing more. I’m also a bit disappointed that Erosie work about bikes is not even mentioned.
The main part of the book consists of an amazing selection of paintings & illustrations of bike in very different styles. Honestly I’m often tired of watching illustrations books & Tumblr, but I must confess I really enjoyed this book, and last days I regularly took a moment to enjoy a few more pages.
The last pages of the book are devoted to sculptors and bicycle designers who present their original creations.
I do ride sometimes, but I rarely watch ‘Le tour de France’, I’ve never thought about ordering a fixie or even replacing my mtb pedals with a new one, nevertheless I would definitely recommend this book for anyone loving good illustrations.
Bike Art Hardcover, 256 pages Format: 21cm x 29cm Text: english/Greek ISBN: 978-3-939566-37-3 29.90€ (Release 11/2011)
Suso33 video for Nach/Akhenaton/Talib Kweli
SUSO33 done the art direction and realization of the video “Los Elegidos“, taken from the last album “Mejor que el Silencio” by Nach.
Suso33: “They offered me the possibility to produce a simple video for Nach´s latest record, a band I admire and who makes my emotions arise. The song was “Los Elegidos” (The Chosen ones) featuring Talib Kweli and Akhenaton. When offering total freedom of creation I assumed it as an entirely personal project to get totally involved in and I started working on it, experimenting and researching, not to solve issues but to suggest different possibilities.
Instead of one hand I used both of them, and instead of drawing I did… I don´t know, I can´t tell you as it still is a “painting in progress” and when you rub it off, you are creating part of the next painting, so you can´t not tell by just the drawings as it is a piece of art created to be seen entirely, only in movement and this is what provides its own identity.
In this audiovisual creation the hands are a plastic element that appears in a choreographic manner, as if they were a dance or paint themselves in that sort of sequence shot that does not leave space for regrets. It had to be done basically in just one shot, therefore it increased the difficulty of creation, however the edition ended up more developed. Finally we included sound effects to create a dialogue between the image and the sound towards the image, in a way that it wasn´t just the image illustrating the sound, that is, it was the creation of a piece and not simply a musical video clip.
In general, in my work, process and actions are much more important than the resulting object; it is something that I have been developing for a long time, as in the “PinturaEscénicaenAcción” (ScenicfPaintinginAction) or the different videos that I have produced in the past years. Therefore I have felt very comfortable carrying out this work with the possibilities offered by this type of equipment; also I have been lucky to work and create things with SaotST and Nach, to whom I thank for the trust they put in me regarding this risky proposition.”
Lush comics
I can understand you don’t really like the highly sexual & vulgar graffti work from Lush. But come on, these comics are just too good !!
Lush on flickr: http://www.flickr.com/photos/mercyfulfate/
Lush on ekosystem: http://ekosystem.org/tag/lush
Berlin Rail Days by Shlomo
Full report here.
Scheme – Step by step
Full report here.
Hell’o Monsters – “The End Of Magic” Opening
3 Klebstoff magazines to win !
Klebstoff sticker magazine & ekosystem.org collaborated to offer you 3 issues of Klebstoff magazine and some additional stickers.
1 magazine will be offered for the most interesting comment posted on ekosystem photo gallery before the 5th of October, 1 magazine for the funniest comment and another magazine for the most active commenter on ekosystem in the next 10 days.
Deadline October November the 5th at 12PM
Use a real e-mail on your comments if you want to be contacted to receive a magazine.
Klebstoff is a magazine completly printed on vinyl sticker material and the kiss-cuts make it possible to peel off the content from inside. From cover to end everything is a sticker.
Artists featured:
Matthias Müller, Peekasso, Erosie, Knudzich, Hobby176, Mr. Talion, AGHN, Ernst Markus Stein & Lucy F., Jorge Chamorro, Gregor Körting, Katz & Goldt, Christophe Lambert, Fuzz!Gun, Scores out of ten by Joseph Ernst, Mape, Resto, Paul Barsch, Harthorst, Kevin Carpio, Mr. Kern, Tilman Hornig
Hell’o Monsters – “The End Of Magic”
HELL’O MONSTERS first show in Copenhagen.
Opening: Friday 28.10.2011 at 16 to 21
Closing: 26.11.2011
@
Mohs Exhibit
Sdr. Boulevard 98
1720 Copenhagen V – Denmark
Hell’O Monsters is a Belgian collective formed by Jérôme Meynen, François Dieltiens and Antoine Detaille . The three artists successfully blend their individual styles to create an imaginary universe occupied by hybrid characters such as monsters with multiple eyes, mutated animals, humans with their heads split open. These figures manage to grab our attention and gain our affection despite their r…evolting appearance. In addition to the ink drawings and the paintings, the Hell’O Monsters universe breaks away from the wall and these miniature extra-ordinary beings suddenly occupy the exhibition space. The group’s creations, despite their colorful and happy look, are in fact caustic commentaries on the adult world, human nature and society.
As an introduction to «The Book of Imaginary Beings» , Borges wrote that’ a monster is nothing more than a combination of real human being part’s and that ‘their combinative possibilities border on infinity’ .
A few sentences beforehand, he had noted that when a child is taken to a zoo for the firt time, «he is faced for the first time with the multiplicity of the animal kingdomand, unexpectedly, really enjoys what could be nothing more than a horrifying or alarming spectacle to him»
even is stated from a trivial text, these two facts prove to be two quite practical windows to approach the formal world of Hell’O Monsters: a universe of monsters that form and re-form themselves, according to the adventures they are faced with. Indeed, the Hell’O Monsters do not escape the Argentine writer’s comments.
And the fact they are made up of so clearly recognisable element is the verry reason why we are troubled to this extent. At the same time so similar and so different to us, their creatures give substance to our fantasies, even in the playfull and cutting manner adopted by these artists.
In tune with their time, the Hell’O Monsters have perfectly grasped that today monsters can be tamed, that they have become kind, play with the very young, wink to television programmes, and even lie on the internet
As all their brothers and even very distant cousins, their creatures are never passive; they live adventures the artists compress in each of their creation «pregnant instants» , to use lessing’s expression. Mreover, narrative frames are precise and rich.
Why? Well, just because those imaginary beings, born of the fine srokes and graphic fantasy of these three artists, are similar to their many predecessors and tend to crystallise the fears and desires of the men who created them. These mixed fears and desires that childrens feel so intensely, the Hell’O Monsters have never lost the thread of his creative wonder of childhood . Their creatures first offer to ‘teach us how to look at them in the face and so, while being confronted with them, how to dare to live and dream absolutely freely’.
More info:
~
I’ll post pictures from the exhibition this weekend…