A really nice van painted by C100 and Layer Cake (Patrick Hartl).
The art of writing your name: Tilt & Egs
I asked Patrick Hartl and Christian Hundertmark the 2 cowriters of “The art of writing your name” to select an artist from their book and tell us a few words about him.
TILT by Patrick Hartl:
Patrick Hartl:” First of all because TILT is still an active graffiti vandal dropping his
stuff all over the globe and leaving his marks in every big city on this planet. The word Calligraffiti includes Graffiti, so to me it’s just a matter of course that Calligraffiti artists should have some Graffiti background – and TILT is the very best example for that. His style is pure Graffiti attitude, classic tags and throw ups – the language of the street perfected to the limit. I simply love that.“
EGS by Christian Hundertmark:
Christian Hundertmark: “While working on the book Patrick and I agreed that it is really important to cover the whole spectrum of urban calligraphy writing, not only the well known calligraphy but also the more abstract style. We aimed on more versatility than showing the typical stereotypes. Another important point was that this book had to be international and not showing works from artists from just one country. Sometimes this was a difficult task as i.e. in France you find a lot of artists doing urban calligraphy while in other parts of the world like Finland you find less (or we didn’t know about them). This also lead to the fact that some artists you maybe expect to be featured in this book could be missing but this was due to a tough selection process.
Back to EGS: Since both Patrick and I used to be active graffiti writers in the early 90ies painting trains we also knew about EGSs graffiti works back then
and had followed his career over the years. So it was clear he had to be featured in this book representing the very abstract side of urban calligraphy in combination with being an authentic graffiti writer.“
The Art of Rebellion IV – interview
Christian Hundertmark aka C100 author of The Art of Rebellion books shared a few words with us 13 years after the 1st AOR book.
– When you wrote the 1st Art Of Rebellion in 2004, the goal was to
present that new post-hip-hop-graffiti scene also known as street-art.
What is “Art of Rebellion 4” about ?
In general it’s the same topic as the previous ones: introducing street art / graffiti to a wider audience. But this time with a new approach: Instead of just documenting / introducing the most interesting new works I asked each artist to select his most favorite work and write a short text why they had chosen the particular piece. This led to really interesting results which gives the reader a new insight on each artists work concept.
– According to you what are the biggest changes the urban-art scene have experienced last decade ?
In my personal humble opinion I’d say that street art made a very
successful step in terms of attracting recognition from people outside
the scene which had both positive and negative aspects. I mean nowadays everyone knows what street art is…! One one hand that’s a great development as many artists got the chance to step into the contemporary art world, doing big art shows in galleries and can make a good living out of it etc., which I think is nice as it proofs that this young art form got the respect it definitely deserved. On the other hand it got a bit predictable, some artists works got very hyped even though their work weren’t very inventive and more or less unambitious.The use of stereotypes seemed like there was a ultimate street art cook recipe: Some drips here, some sampling of pop art there, some punk attitude and there you have the street artist the audience expect to be the next Banksy…. which I think is a bit lame.Still in general I think the quality of the works made a huge step!
– When I compare the photos of the 1st AOR and the new one, what I notice is that nowadays many artworks are huge and legal. Nowadays the
urban-scene seems to be run mainly by professionals. Is the title “Art
of Rebellion” still accurate ? And has the street-art scene been really rebellious one day ?
Yes, this is a justified question and I think if it wasn’t a series considering another title would make sense :) but if you start form the basis each artist featured has street credibility and authenticity. Most of them still work in the streets illegally which could be contemplated as a rebellious act in a way, too. Still, I’m aware that „real" rebellion is connected to much more radical acting but I think the title is a great wordplay which makes totally sense in this context of art. Also I’d like to add that by asking the artists for their most favorite artwork they ever did anything would have been possible. And this is what happened in the end. This book is more like an opener for the viewer to get into the whole work portfolio of each featured artist. I.e. Honets feature (both photo & text), which is one of my favorites, it’s essential that you know both what his current works AND his background from day one. I’m really happy that this concept worked out so good.
– In the book we can see people work that were in the previous books, but also new artists. Can you tell us a few names of people you discovered recently and enjoy the work ? (they don’t need to be in AOR4)
I discovered the work of Hayden Kays, Hot Tea, Maser and Mobstr during the process. Even though others maybe knew their works before I got into their art more or less by chance and I’m really happy to have them in the book!
– Like many of us I like good punchlines and slogans written on walls or on stickers. Under your C100 alias, you did excellent “Cash rules ruins everything around me” posters. That was an instant-classic to me. But I
discovered in AOR4 that crazy story about the Wu-tang trying to sell
copies of your work claiming it was an original work from Banksy. Could you sum-up this unbelievable story ?
Haha, yes to say it in one sentence: Wutang tried to fool the internet by telling that „The Cash ruins everything around me“ poster was done by Banksy and selling it as a limited screen print for 100$ as a Wutang/Banksy collab – and I found out about it! As
everyone knows, if you have Banksy involved the attention and value of a print will rise exorbitantly and very fast hence it’s much easier to sell…. The problem was that someone send me the link to that post on the Wu Disciples Blog and I found out about this hoax. In the very beginning the screenprint also had a Banksy Logo on it! Unfortunately I didn’t make a screenshot of this. After a few emails back and forth with Wu Disciples manager we agreed to make a screenprints with the original artist (me) and donate the earned money to “Doctors without Borders” but even though I organised everything at one point I didn’t got any more replies and it came to nothing. Luckily the internet doesn’t forget, so did I :) and when working on the book I found almost all links that proof the truth of this unbelievable story.
– Do you expect to do an “Art of Rebellion 5” one day ?
I think it’s the same answer like for the last 4 books: Maybe, …we’ll see what happens. But I can imagine that this can happen, for now I’m happy with the latest result :)
Thanks for the interview!
The Art of Rebellion #4
216 pages – English- ISBN: 978-3-939566-49-6
About 35€ – Available at Stylefile
Art of Rebellion 3 – C100 interview
7 years after the 1st Art of Rebellion, you (C100) released “The Art of Rebellion III“.
On the intro of the new book you describe how things changed last years. Your intro is ambivalent. You are impressed that street-art became big & popular and at the same time you seem to regret that it became an industry.
You also painted a canvas with a slogan that I like very much: “Cash Rules Ruins Everything Around Me”. Are you still excited by today’s scene?
Yes, I’m still excited about the scene seen in terms of quality and its space for surprises, sometimes. But I think people who started before it became so popular and trendy witness how it changed from being underground to becoming almost commercial. Don’t get me wrong, I’m happy for many artists that they get paid now for their hard work but, however, sometimes I have the feeling that some artists transformed themselves into labels and became the thing they targeted in the beginning. That’s one of the reasons why I did the C.R.E.A.M. canvas – Money can make people do strange things…
Overall, it’s an ethic questions each artist has to answer by himself what is good for his “career” or not. I don’t want to sound like a preacher and leave it to everyone himself how to form his opinion on this!
In the 1st Art of Rebellion, most artists were very influenced by graffiti and street-art was quite naive. Work featured in this 3rd volume is much more mature and interesting I think. Do you think that today’s street-art is still related to the graffiti world or is it a kind of outdoor contemporary art?
No, I think in a way street-art still very often has the spirit of the graffiti world, the “Getting up” attitude and ignoring of existing laws for the sake of art. Maybe street art/graffiti is transforming into “outdoor contemporary art” but where is the big difference in this, honestly, aren’t these not just words to describe the same topic in the end? This whole debate is pigeon holing as overall it’s just art, isn’t it? In the end this collision between graffiti and contemporary art helped pushing the level of quality, which is good!
But I agree that the naiveté from the beginning is missing sometimes which I experienced in other fields like Skateboarding Snowboarding, BMX as well. At one point all these subcultures get professional and trendy which leads to the fact that newcomers appear (like toys in Graffiti) who tend to annoy the old schoolers….
I go by the motto: live and let live :)
I have sometimes the feeling that today’s scene is run by art-school students & what I call the “street-art bourgeoisie”. Almost all the artists featured in this 3rd volume are professional or are trying to live of their art. Is there still a space for graffiti as a hobby? The book is called “the Art of Rebellion”, are there still rebellion & innocence in street-art?
That’s a tough question, hmm – “street art bourgeoisie” is good name for this, haha!
To answer your question: In some way you can call it rebellious when you are ignoring laws for the sake of art and to wake up people. In comparison to other movements it seems ridiculous to speak of rebellion (i.e. fighting for freedom, against nuclear power).
I think there is still space for it to keep it as a hobby. I can only tell from my own experience. Even though I’m very busy in my jobs as a designer and author, I still enjoy doing street art and graffiti – as a hobby. Having that experience and spirit of graffiti has a massive advantage compared to being “just” an art school student who now thinks “this is cool” as your motivation comes more from the heart. For me subcultures like Graffiti, BMX & Skateboarding helped me grow up to the person I am and, thankful for that, I do my best to give something back to these cultures in showing the public the beauty of it.
Is there an artist that you would have enjoyed to include in the book, and for any reason isn’t?
Yes, Steve Powers, he had his reasons.
Would you like to make a 4th Art of Rebellion?
I remember when doing #1 I never imagined to do #2, same goes for #3. After this development I’d say that #4 isn’t unreal but no one knows when.
You also run a book collection named “Part of Rebellion”. I think you released 3 books: Flying Fortress, Erosie & Dave The Chimp. Can we expect to see a new one?
We worked on #4 about Kid Acne but decided to finish “The Art of Rebellion” first. We’ll see.
You live in Munich are there some local artists we should know?
Hmmm, most of them you probably know already: Flying Fortress, Sat One, Mr. Burns and Benjamin Röder.
Thanks for taking the time to have this little conversation Christian, Any last words?
You are welcome, eko. Thanks for being one of the main hubs in street art since day one!
Keep on keeping on! Peace, C100.
The Art Of Rebellion 3
the book about street art
C100
Languages: ENG
Softcover/Paperback, 21 x 26cm, 216 Pages, 29,90 €
ISBN: 979-3-939566-29-8
Online order at Stylefile
Part of the Rebellion #1 – Flying Förtress by C100
C100 published 5 years ago; “The art of Rebellion“,
the 1st book about the so-called “street-art scene” of the early 00’s.
He’s back with a new book collection…
“Part Of The Rebellion: Flying Fortress” seems to be the 1st book of a new collection.
Why have you choosen Flying Fortress for this 1st book ?
Yes we have, but some aren’t 100% confirmed so I can’t tell you more at the moment. Currently I’m working on #2 with Dave the Chimp – it’s a honor for me as I really love his work.
launching a 2nd book ?
No we immediately started working on #2. The book company are personal friends of mine, we know each other from the graffiti days in the early 90s.
We want to do proper art books to show that this is a true art form.
scene has changed a lot according to you ? Is it better now than it used
to be ?
http://www.flying-fortress.de/
http://www.publikat.de/
http://www.c100studio.com/
Size : 15×18.8cm – Pages 128 – 14.90€ – Isbn: 978-3-939566-16-8 – English – Softcover