3TTMAN interview


Before Madrid you lived in the north of France, when did you start painting?

3ttman: I’ve been painting and drawing on canvases since I was a kid, it’s only when we decided to create an association to promote the northern culture called Drive59 with Remed that we both started interacting in the streets by pasting some handmade stickers around Lille, Remed was sticking eyes on the billboards and me I created the three headed character called “3TTMAN” whom I was sticking in different situations. That was in 1999 I reckon. By there I met the street and got addicted to it, everyday I’m more conscious that it’s the public who brings your pieces to life and that there is no better place for that than the streets.

There is now a very small community of French people living in Madrid (i’m thinking about you, El Tono or Remed). How did you arrive in Madrid, and why did you stay?

3ttman: I arrived in Madrid 8 years ago because i knew the city from some friends and had a place to crash here, then I met El Tono with whom we entered in the studio NOV9 and Remed came too a year ago…It’s funny because we often have that talk the three of us and we altogether agree that what we like about here the most is the “Spanish’s Street Life”… It seems that most of the social events are happening in the street, I like the relationship it creates between people as it makes it classless, spontaneous and vivid, I find them more relaxed than in other country I have been. To me, the city represents the perfect mix between “socially developed” places (as we understand European ones) and the chaos of what we call third-world countries that allows a place to craziness, “rien à foutre style” y fiesta…mucha fiesta!

3ttman in London with Remed

Did your friends from Madrid influence your work? I’m particularly thinking about the shiny colours you use. And can you go into further detail about some of your influences?

3ttman: I think that the use of shiny colours is not due to any influences it’s more related to my personality and what I want to transmit to the public which is good vibrations, fun and happiness…
And YES, I’m definitely influenced by my mates: on a graphical level, with Remed for example as it’s been many years painting together, I really like El Tono’s approach in the street and the way he creates an interaction between the public and his pieces and I enjoy Nano4814’s imagery too and the capacity of building his own universe. Referring to painting, I’m mostly influenced by classical masters (Picasso, Matisses, Dubuffet, Léger, El Bosco, Miró…), my trips and the cultures that surround me.


We all know that Barcelona changed a lot last years, is Madrid still a good place for painting in the streets? I heard the city spends a lot of money to clean graffiti.

3ttman: I sometimes clash with the madrilène’s graffiti artists because I usually say that it’s easier to paint here in the street. They have been trying to impose the “Tolerancia Cero” law here too, but every time they clean it’s bombed again and again… Maybe it’s not easier, maybe it’s just the youngsters that are more persistent in what they do!
But as I said before here in Madrid you still have a margin of action to work and express yourself: last week-end I came on an abandoned wall in the centre and painted it white then started with the sprays… police came because a neighbour complained and they just told me that I had to stop. They understood my position and said that if it wasn’t for the complaining they’d had let me do. I came the day after in the morning and finished the painting.
I would never do that in another city because here I know I can at least talk with the cops, explain and justify myself. My experience in France for example is that they put you in jail for the night without even trying to understand your point.
So, yeah it’s getting harder and harder to paint here with the laws and things but still you can find a way.


You painted in countries like Marroco or India where graffiti doesn’t  really exist. Do you particularly enjoy cities where people & streets are not saturated by graffiti ? Which city or country would like to visit in the near future ?

3ttman: One of the parts I love from working in the street is the fact that you offer the piece to the people and in these countries where they are so used to “classical tourism” the feedback is extraordinary. Once they understand that you are doing something for free, that in a way it’s a gift, the gratefulness they show in relation to their belongings is incomparable with western countries one.
Besides it I find interesting to take advantage of the culture you are submerged in and integrate it in your work or integrate your work in it: in India for example there is no graffiti but there are plenty of hand made advertisements that could visually well be interpreted as graffiti, so I decided to use the same visual codes and create my own “Holy advertisement campaign” considering that in India everything is related to god, holiness and spirituality…


Is seems that an airplane company offered you to paint on one of their plane. Can you tell us more?

3ttman: Mmmmmmh at the beginning it was like:  “Yeah you gonna paint an entire plain, we’re calling you as a graffiti artist and you are totally free to do whatever you want!”
So I made this first sketch of the whole plain painted from head to tow… and after many, many, many changes it comes out to be a typical happy design which I’m not so proud about.
I mean the project sounded nice but I got disillusioned, it’s always the same when you’re working with brands, they call you as an artist but at the end they just want you to be a designer…
Anyway, it was nice to see it flying!

You released a book called 102%, is it a self-published book? Is it still possible to found copies?

3ttman: Some girls came to me one day and told me that they were going to publish a book through a press editor and I said yes. It took ages to get it published and I really thought it would not happen. I’ve got plenty of copies at home so if anyone is interested they can contact me through mail.


Is there any project or collaboration you would love to do but still nobody asked you to?

3ttman: I’ve always wanted to do mosaic and ceramic at big scale and fortunately there’s a project that might comes out in Viet Nam soon to make one. I’m gonna go there by the end of November for 3 weeks to check out the scene and see what possibilities the technique offers. I’m pretty exited about that.
Otherwise I’d really enjoy doing a Public Sculpture one day.

What music do you listen to when painting at the studio?

3ttman: Lately I’ve been into jazz and trying to listen to classical music which I’m starting to understand better, otherwise I can listen any kind of music really.  But as the studio is a 1st floor, I like to open the windows and listen to the street’s sounds and people passing by.


If I visited Madrid, which are the places I shouldn’t miss?

3ttman: I guess you should stick around the streets of Malasaña which is a The Barrio where youngsters go out, get pissed, paint…It’s bounded to Madrid’s underground cultural history in the 80’s and is still very characteristic to the city.
Otherwise there’s also Lavapiés which is more multicultural and very vivid too, some nice museums like the Reina Sofia, “El jardin de las delicias” from el Bosco in the Prado… and the Retiro Park on a sunny afternoon.

Ultimate question, moving from Lille to Madrid what do you miss the most about your hometown?

3ttman: My friends!…
Un bon plat de moules-frites et une bière Belge!

3ttman.com3ttman on myspace
3ttman on ekosystem – 3ttman on flickr