Freight upgrade is a PDF magazine about freight train art (graffiti, hobbo art…) in ex-USSR (Russia, Ukraine, Latvia, Moldova).
Freight upgrade #2
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10 true Madrid shutters
A post & some photos by Miss Kaliansky:
Tomorrow, Sunday, Feb. 6, there will be a big call to paint 100 shutters downtown Madrid.
The initiative has generated much opposition from the graffiti community, because, most likely, they´ll paint over true and illegal shutters already painted. This action may cause a big graffiti riot.
BCNstyle is calling to boycott and in the website of one of the organizers, there´s a big controversy (only in Spanish)
And also because the organization makes the artist pay for their own cans.Meanwhile, here Miss Kaliansky shows you Madrid 10 originals shutters. Some very old, that still survive. And some new ones.
All made with sincerity and without strange and hidden interests such as gentrification ….Peace & respect
Photos by Miss Kaliansky
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DRAN – I love my world
I LOVE MY WORLD
By Dran
Ean : 9782917409053
prix : 15 euros
I love my world est déjà le 6ème recueil de dessins de Dran sorti chez les editions populaires. L’humour noir de Dran parle à tous. Pas besoin d’être porté sur le graffiti pour apprécier ses dessins.
http://www.editionpopulaire.com/
et un petit bonus avec une vidéo tournée il y a 15 jours à Londres pour l’expo de Dran “I have Chalks“.
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Zonenkinder in Ukraine
Here is a report received from ZonenKinder who was invited at the Muralissimo Festival in Kiev, where they painted with Interesni Kazki.
Actually we expected to travel to a town solely consisting of grey concrete facades. But we were positively surprised to find a beautiful city centre – even in winter. Picturesque old buildings, parks, lots of chestnut trees (it has been reported that these trees are blooming amazingly in spring time), countless orthodox churches with golden shimmering cupolas and on the inside decorated with murals of saints, the Dynamo Kiev football stadium, luxury cars of all kinds, the Bridge of Lovers, the monument to the city founders, the Parliament, painted streetcars, stray dogs crossing the streets only at green lights, the famous Rainbow-Monument, a manifestation against the recent tax increase for small businesses and a lot more can be found on a one day trip through the Ukrainian capital.
Invited by Interesni Kazki, the German Embassy and the Lavra-Gallery we took a plane and arrived in Kiev on Wednesday 23rd of November in the early morning. We met Waone and AEC the same day inside the Embassy where we were sincerely welcomed. In the evening time we went together with the Ukrainian artists to the Lavra-Gallery where we discussed about forms and colours and created a first concept together. It was a nice experience to see our thoughts and ideas grow together very easy and quickly and we had some inspiring artistically conversations with Interesni Kazki. The ensuing day we had a fine Muralissimo-Baquet with nice music, tasty hors d’oeuvres and interesting chats at the cultural attaché’s home.
After some organisational problems concerning the preparation of our wall at a children’s hospital we wanted to start painting on Friday morning (it has to be mentioned here that sunset was already at about 4 p.m. and the average temperature was about -1 to -3 degrees Celcius, our flight back to Hamburg was scheduled for Monday morning and there was a press conference to be held on Sunday afternoon). But when we got to the spot that day we had to realize that one single painter with a (very) small brush on a shaky scaffold had just started to free the wall from dust and began to coat the pretty high wall wall in white. J
So we finally started painting on Saturday. Together with the Interesni-Kazki-guys we were lucky to finish at least the fill-in before it was getting dark. The temperatures sank constantly and only thanks to the fine ginger-tea of Waone and the sweet hot drinks in thermos jugs provided by Harald we were able to finish the Mural in time before sunset without catching a cold or falling off the scaffold like icicles. In the end we were satisfied with the results and the cameras at the press conference in the afternoon were able to catch some impressions of the colorful creative teamwork with our Ukrainian friends AEC and Waone. (more…)
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Trshr in Angola
TRSHR from Odessa/Ukraine sent us photos from Angola (south-central Africa). As we could expect there is not an actual graffiti scene in this country. But as you will discover walls & trains are not totally clean.
According to Wikipedia: “The country is the second-largest petroleum and diamond producer in sub-Saharan Africa; however, its life expectancy and infant mortality rates are both among the worst ranked in the world.”
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asslickr
D.O.C.S ( Doing only Crooked Shit) from Spain updated their site with several new great walls and a few graphics.
Enjoy ! http://www.crookedshit.com/
More photos at http://www.crookedshit.com/
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Art of Rebellion 3 – C100 interview
7 years after the 1st Art of Rebellion, you (C100) released “The Art of Rebellion III“.
On the intro of the new book you describe how things changed last years. Your intro is ambivalent. You are impressed that street-art became big & popular and at the same time you seem to regret that it became an industry.
You also painted a canvas with a slogan that I like very much: “Cash Rules Ruins Everything Around Me”. Are you still excited by today’s scene?
Yes, I’m still excited about the scene seen in terms of quality and its space for surprises, sometimes. But I think people who started before it became so popular and trendy witness how it changed from being underground to becoming almost commercial. Don’t get me wrong, I’m happy for many artists that they get paid now for their hard work but, however, sometimes I have the feeling that some artists transformed themselves into labels and became the thing they targeted in the beginning. That’s one of the reasons why I did the C.R.E.A.M. canvas – Money can make people do strange things…
Overall, it’s an ethic questions each artist has to answer by himself what is good for his “career” or not. I don’t want to sound like a preacher and leave it to everyone himself how to form his opinion on this!
In the 1st Art of Rebellion, most artists were very influenced by graffiti and street-art was quite naive. Work featured in this 3rd volume is much more mature and interesting I think. Do you think that today’s street-art is still related to the graffiti world or is it a kind of outdoor contemporary art?
No, I think in a way street-art still very often has the spirit of the graffiti world, the “Getting up” attitude and ignoring of existing laws for the sake of art. Maybe street art/graffiti is transforming into “outdoor contemporary art” but where is the big difference in this, honestly, aren’t these not just words to describe the same topic in the end? This whole debate is pigeon holing as overall it’s just art, isn’t it? In the end this collision between graffiti and contemporary art helped pushing the level of quality, which is good!
But I agree that the naiveté from the beginning is missing sometimes which I experienced in other fields like Skateboarding Snowboarding, BMX as well. At one point all these subcultures get professional and trendy which leads to the fact that newcomers appear (like toys in Graffiti) who tend to annoy the old schoolers….
I go by the motto: live and let live :)
I have sometimes the feeling that today’s scene is run by art-school students & what I call the “street-art bourgeoisie”. Almost all the artists featured in this 3rd volume are professional or are trying to live of their art. Is there still a space for graffiti as a hobby? The book is called “the Art of Rebellion”, are there still rebellion & innocence in street-art?
That’s a tough question, hmm – “street art bourgeoisie” is good name for this, haha!
To answer your question: In some way you can call it rebellious when you are ignoring laws for the sake of art and to wake up people. In comparison to other movements it seems ridiculous to speak of rebellion (i.e. fighting for freedom, against nuclear power).
I think there is still space for it to keep it as a hobby. I can only tell from my own experience. Even though I’m very busy in my jobs as a designer and author, I still enjoy doing street art and graffiti – as a hobby. Having that experience and spirit of graffiti has a massive advantage compared to being “just” an art school student who now thinks “this is cool” as your motivation comes more from the heart. For me subcultures like Graffiti, BMX & Skateboarding helped me grow up to the person I am and, thankful for that, I do my best to give something back to these cultures in showing the public the beauty of it.
Is there an artist that you would have enjoyed to include in the book, and for any reason isn’t?
Yes, Steve Powers, he had his reasons.
Would you like to make a 4th Art of Rebellion?
I remember when doing #1 I never imagined to do #2, same goes for #3. After this development I’d say that #4 isn’t unreal but no one knows when.
You also run a book collection named “Part of Rebellion”. I think you released 3 books: Flying Fortress, Erosie & Dave The Chimp. Can we expect to see a new one?
We worked on #4 about Kid Acne but decided to finish “The Art of Rebellion” first. We’ll see.
You live in Munich are there some local artists we should know?
Hmmm, most of them you probably know already: Flying Fortress, Sat One, Mr. Burns and Benjamin Röder.
Thanks for taking the time to have this little conversation Christian, Any last words?
You are welcome, eko. Thanks for being one of the main hubs in street art since day one!
Keep on keeping on! Peace, C100.
The Art Of Rebellion 3
the book about street art
C100
Languages: ENG
Softcover/Paperback, 21 x 26cm, 216 Pages, 29,90 €
ISBN: 979-3-939566-29-8
Online order at Stylefile
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Muralismo Morte
> Can you present yourself ? How did the book come about ? Was it something you had been planning for a long time ?
I’ve always painted in abandoned buildings since i started to make graffiti in 1995. Abandoned buildings are perfect spots to paint relaxed, to make experiments, to have a nice day together with friends painting huge walls and having nice barbeque. Around 2000 i stopped writing my name and decided to paint abstract stuff, characters whatever i liked – in old factories, in the streets, along the line.
During my studies at art school I organized a lot exhibition projects – mostly in connection with street stuff. After my diploma in 2008 I started to work on the exhibition project “muralismo morte“. I invited friends of mine for this show to come to Dresden in march 2009. 2501, Ryan spring, Bera, Eleuro, Macoy, Ema jones, Möe, Stefan Schwarzer aka Syru came to Dresden. The show was a big success, for the artists, the exhibition place and me. I printed a small catalogue for the show, which was available at some shops. Don of From Here To Fame Publishing ordered one of these. He asked me if I would like to be part of a book about Muralism. Than i met up with Don. I showed him my collection of artists. He was surprised by the wide range of stuff and asked me if I would like to make the book as single author. I could not say no…
The idea of the book already existed before the show in Dresden in 2009. But i did not ask a publisher. I had so much other things in my mind. My own artworks, exhibitions, bureaucracy.. I just finished my studies.
I really started to work intensively on the book in February 2010, when it became clear the book has to be finished in July. I wrote hundreds of e-mails to artist to receive photos in good quality. This was the hardest part…
I’m not sure to understand the title: “Muralismo Morte”? Can you explain it ?
“Morte” means in Italian “dead”.
I’ve used that name already for a show in Dresden. It was mainly focused on painting in abandoned buildings.
These paintings in old/ dead buildings are some kind of a new Muralism in my eyes.
“Morte” also sounds in German like the word “Mord” that means ” to kill somebody ” ( as subjective word).
Somehow the Muralism was dead some years ago , but in the last years it’s amazing how many walls are done. In every city people paint huge murals – in a very fast way.
And i also wanted to have a mixture of languages, because this new mural movement is not only a Spanish movement. It’s Italian, French, German ….
> As for me a Mural is a big & authorized painted wall. Your definition seems to be a bit different.
Muralism to me means a painted wall. In the streets, legal or illegal , in abandoned buildings, also projections .. It’s something painted on a wall. This new movement which grows extremely. After the street art hype a lot people seemed to be unsatisfied with the fast death of their paper works. in 2003 all the guys made posters.. no posters are ” out” everybody does huge walls. Because they stay for a long time.. And the size is different to.
To me wallpainting is also another physical experience. Painting 6 meters high with a moving stick is totally different from painting some posters at home…. if you wanna paint huge – your fitness has to be good – if illegal even more ;)
> Is it your 1st book project? What has been the harder on the making of the book ? Are you satisfied with the finish result?
It’s my first book. before i made small booklets for the shows i organized – “Urban script continues 2009 – Muralismo morte” and “Urban script continues 2010 – about the nightshift” i wrote texts for other books and made some fanzines,
The biggest stress was to write all the e-mails. Asking again and again. sometimes you think ” ohh i hope i get his stuff ” – and you get it within a day , sometimes you wait for an answer for more then a month … sometimes painters even don’t reply…
The Publisher was really cool – he helped me a lot . They translated everything, made the layout, they manage the whole distribution. I was able to concentrate on the content. Collecting Photos .
I ‘m really happy with the final result! I like all the works in the book. I had opportunity to print all the photos in huge size. This was one of my aims. To show not only the painting. The atmosphere, the details… The Layout is really simple and paper is fine too – no glossy paper. I’m glad about the texts in the book. Especially those of Robert Kaltenhäuser about whole cars , Peter Michalski about bombing in brazil and Resto’s text about Doel – the ( nearly ) abandoned village.
I’m sorry that i wasn’t able to publish all the stuff of the artists and also there is stuff missing. just after the book was finished i found new works .. i just say : ekosystem!!! That’s why i started a blog.
BUT – i think this book is a great collection of stuff and there is always a deadline and a limit of pages… And I’m happy about the photos i received.
> What are your plans for the future (book release events, new book) ?
I already had some releases in Berlin, Dresden and Cologne. the next one is in Leipzig .. then i will see. i would like to make a tour in whole Europe. even i have friends all over europe – from the north to the south , east to the west, but it’s hard to manage this without a sponsor and money… i hope i will find someone and i can make this tour. I really would like to paint with everybody in the book … especially those i just contacted via e-mail. There are so many crazy spots all over Europe !!!
Next year from april till june i will make something like “muralismo morte” show in Heerlen ( south of Netherlands) . The idea is to invite artist from this area ( Netherlands, Belgium, Ruhr-area) to come and paint in empty buildings in Heerlen. I will stay there. Having a nice studio just above the exhibition place. inviting artists… painting … making tours in Heerlen. I guess this will be a great exhibition.
a new book ? hmmm , this one is just fresh .. a lot of things are to be done , but maybe something about trains ;) maybe you know this blog : http://trainworks.blogspot.com/
thanx and greets – jens
http://jensbesser.blogspot.com/
http://muralismomorte.blogspot.com/
http://www.fromheretofame.com/
Title: Muralismo Morte – The Rebirth of Muralism in Contemporary Urban Art
Author: Jens Besser
Pages: 200, color, ca. 300 Illustrations & photographs
Format: 28.5 x 21 cm (11.22 x 8.27 inches)
Language: English edition
Price Hardcover: 24.95 € | £ 24.99 | US $ 34.95
ISBN Hardcover: 978-3-937946-29-0
To order the book : http://www.fromheretofame.com/books/muralismo.html
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Brad Downey – grafitti restoration
Two days working with a professional conservator on a small section of The Graffiti Wall of Fame in Vienna to uncover fifteen years of hidden layers. Attempting various chemical and mechanical processes to rediscover. This is the first test.
Brad Downey 2010
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Banksy vs the Simpsons by Jboy
Banksy is ubiquitous. This week-end he was in Madrid, London & on the Simpsons. It Inspired Jboy (see image above).
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Freight upgrade #1
Freight upgrade is a new PDF magazine about freight train art in ex-USSR (Russia, Ukraine, Latvia, Moldova).
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Saner from Mexico – Interview
I took the opportunity of SANER book release to ask him a few questions.
All the illustrations come from the Saner book printed by Belio for their Die Young collection.
>Who is Saner ? Quien es saner?
Saner es un loco dentro de un mundo de extraños.
Saner is a a crazy person in a world of strangers.
>How did you came to graffiti ?
A través de mi hermano y mis amigos, en los años 97-98, viendo la calle pintada por crews de ese momento, Los CHK, SF y A. Inicié pintando con otro seudónimo y con pausas necesarias para replantear un estilo propio. Dejé de pintar graffiti durante cuatro años, pero en 2004 volví a esta forma de expresión para buscar un estilo personal.
Through my brother and my friends, in the years 97 and 98, looking at the streets painted by the current crews, CHK, SF and A. At the beginning I painted with another nickname and with the necessary pauses so I could have my own style, then I stopped painting graffiti by 4 years but in 2004 I returned to this mode of expression looking for a personal style.
>You’re a member of two notorious crews from Mexico: DSR & Eyos crew. Do you enjoy painting with other people?
Es interesante compartir experiencias con personas que no son de tu crew. Pienso que trabajar un lienzo o un muro con otras personas, generalmente alejadas de tu cotidianidad y sobre todo de tu estilo, siempre te permite crecer como artista.
It is interesting to share experiences with people outside of your crew. I believe that working on a canvas or a wall with people who are generally apart of your everyday life but most of all away from your style, always allows you to grow as an artist.
>From Europe, Mexico seems to be a quite violent place with kidnapping and drug relative crimes. Is Mexico an easy place to paint in the streets ?
De México, se sabe que es un país violento. Pero para pintar, creo que es un lugar tranquilo. Y aunque tiene sus riesgos, como en todas partes, depende del sitio que se elija.
Everybody knows that Mexico is a violent country. But for painting, I think that it is a quiet place. And even if there are so many risks, like everywhere, it depends on the chosen place to paint.
>Belio invited you in Madrid to work on the book. What surprised you the most in the spanish graffiti/street scene ?
Ahí encontré no sólo estilos artísticos distintos, sino cosmovisiones diferentes. La forma de concebir la vida y el mundo de alguna manera es distinta. La verdad, me agradó mucho ser bien recibido por la escena local. Artistas como Besdo, Gore, Alberto de Pedro, Kafre, Aryz, Grito, Fefe and remed, Zosen, Skount, Escif y compañía me trataron muy bien y también recibieron con mucho afecto mi arte.
There, I found not only diferent artistic styles, but different world views. The way that we conceive life and world is somehow different. The truth is that I liked so much to be well received by the local scene. Artists like Besdo, Gore, Alberto de Pedro, Kafre, Aryz, Grito, Fefe and remed, Zosen, Skount, Escif and friends treated me so well and they also received my art with affection.
>We know the Lucha libre mexicana masks (mexican catch) and Maya masks. Why do your characters almost always wear a mask ?
Las máscaras que uso son tradicionales en México. Los jaguares, coyotes, calaveras y demás personajes recurrentes aparecen en mi trabajo porque ese mundo paralelo es su verdadero yo, su rostro real. Pienso que al dejar de lado la máscara no somos nada.
The masks that I use are traditional masks in Mexico. The jaguars, coyotes, skulls and other recurrent characters appears in my work because that parallel world is the real self, the real face. I think that if we disregard the mask we are nothing.
>What are your main influences (in the art world and in the graffiti scene)?
Mis influencias son mis padres, hermanos y amigos. Sin duda alguna, en ese marco referencial es muy importante para mi obra el movimiento muralista mexicano: Siqueiros, Orozco, Rivera.
My influences are my parents, brothers and friends. Without any doubt, in this frame of reference it is very important for my work the Mexican Muralist Movement: Siqueiros, Orozco, Rivera.
>Could you tell us which were the last records you played at home?
Últimamente he estado escuchando Nach Scratch, The Tiger Lillies, At The Drive In y el podcast de XRL8R.
Lately, I’ve been listening to Nach Scratch, The Tiger Lillies, At the Drive In and XRL8R podcast.
>If I visited Mexico DC, which are the places I shouldn’t miss ?
Primero, llegar al Zócalo capitalino, que es el mero corazón de México (la catedral, la zona arqueológica). Luego comer en un puesto de quesadillas o tacos; visitar los museos de la zona: San Ildefonso, Munal, Antropología, Arte Moderno; también, ir al bosque de Chapultepec (es el zoológico más importante del país). Si tienes tiempo, ve a las trajineras en Xochimilco. Y, lo más importante, visita las pirámides de Teotihuacán.
First of all, you must go to the Zocalo, which is Mexico’s city heart (the Cathedral, the archaeological zone). Then you should go and eat in a quesadilla and taco’s stand; visit the museums around: San Ildefonso, MUNAL, the National Anthropology Museum, the Modern Art Museum; also you should go to the Chapultepec Forest (the most important zoo in Mexico). If you have any time left, go to ride a “trajinera” (a colorful boat) in Xochimilco. And the most important is to visit the pyramids at Teotihuacán.
and a last word ?
Thanks to Belio Team (Javier and Pablo), for all the support and the good moment that we have shared.
DY008: SANER
Die Young Collection
145 x 150 mm – 192 pages
ISBN: 978-84-613-4362-1
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Saner blog
Saner photo gallery
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