Visual interview or Visual Poetry
with Sabotaje al Montaje

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__________ (more…)
It’s hard to make a choice ! maybe “spraycans” coz’ it’s more fun…
white and black for graffiti… colors on my canvases…
100% drips, but not only with krink…
now, i’m drinking a fresh beer (Hoegaarden)… ganja is just bullshit !
FIGHT CLUB for the social message…
eko, you must stop to go to your favorite night club !!!
We’re going to find the good way to save your soul with the bible…

I only use spray paint,
don’t really know how to use a brush,
I don’t even own one!
Proud to be from Belgium, happy to live in LA!

Both.
But mostly colors because they contain so much energy when used together.
I’m looking for color combos that you can almost taste when you see them…
I’m influenced by both! Pop + surreal and conceptual.
Good combo if you can wangle it.

Find art in everyday people and things and experience the truth with them.
Both super-dope!
Music is the message and the message is in the music.

I used to love the ganja but stopped smoking it 12 years ago, after I had
smoked pretty much everyday for 4-5 years.
I used to smoke a half a joint
before bed and then the other half right when I woke up…
It started to slow me down too much so I quit!
Now I’ll have a drink every once in a
while even though that’s starting to slow my energy down the next day…
it’s all about energy!

Jaws was the man!
My pops had a friend when I was growing up who was a bouncer.
People nick-named him “Jaws” because he still had all his
baby-teeth! Here’s this big tough guy with the smallest little teeth, it
looked real funny!

Loved ’em both! I think I started off with Lego, but then got into Playmobil.
Visual interview with

I’ve got no preference in terms of painting tools that I use.
I love paintbrushes as well as markers ;) I like the smell of both ink and paint.

…Amsterdam… I’ve been there a couple of times, but never had a
chance to collaborate with SOL CREW EINDHOVEN…. The works of Erosie
and the rest of the guys have really made a huge impression on me.

Definitely black&white…. A sharper contrast… Easier reception…
You cannot cheat, you cannot conceal a thing :)
There is power in simplicity.

When it comes to the technique and obtained effect I’d definitely
prefer stencils…I always try to merge my templates with background to
fit them in into the whole composition…A stencil enables the wall
project to go much easier and faster… It gives the final effect… On
top of that I love its phat effect… The runs, inaccuracy… These
things define my work pretty often

Definitely Dexter. I think it won’t finish well though…
I got somewhat lost around the fifth episode…
Anyhow, my wife still watches it :)

laura palmer laura palmer laura palmer laura palmer laura palmer laura palmer

Pirates

‘Both… Preferably mixed.
binarpilot, Atari Teenage Riot, prefuse73, vitalic, Animal Collective,
jan garbarek, primus, meshuggah,…I listen to all kinds of music,
depending on the hour or activities I’m involved in. (more…)

Les pinceaux, parce que c’est l’outil premier.
J’utilise aussi beaucoup le Posca surtout pour les stickers et les lettres
c’est pratique mais c’est assez couteux.
Brushes, because it is the first tool.
I also like very much Posca especially for stickers and letters
but it is not a cheap tool.
Amsterdam, parce que je n’y suis pas retourné depuis longtemps voir les vélos.
Amsterdam, i haven’t been there for a long time to see the bikes…

Le noir et blanc, je ne suis pas un grand coloriste.
Black & White, i’m not a big colorist.

Les autocs, j’en fais à la main et j’en colle depuis la fin des années 8o.
Stickers, mine are handmade. I started stickers in the late 80’s.

Dexter, il m’a rappelé comment tuer sans laisser de traces (bâche)
Dexter, he reminded me how to kill without any trace. (more…)
I’m starting a series of new interviews. Let’s call them: Visual interviews.
Our 1st guest is Xulf from Jeanspezial.
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Alexone for Alice
http://www.alexone.net/ – http://www.alicebxl.com/




















A selection of skateboards designed by active & retired graffiti artists.













Part II will be posted tomorrow,
feel free to suggest some boards in the comments.
Eindhoven is a small city and design is Eindhoven’s claim to fame because of the Design Academy etc. Luckily there are quite some other events during the DDW not directly related to the ‘ pots and pans, chairs and tables’-design, but places where there is a different touch. One of these places is Freek Lomme‘s Onomatopee and his Your-space. He did a lot of the arranging so we were lucky to produce the book.
Actually I think it’s good it was not related to an “urban art event”, it’s good to see genres mix, I never liked that art is only about art, urban only about urban, hiphop only about hiphop etc. There are good and bad things to find in all fields.
In a way yes. Like a scrapbook should be…Me, space3 and Crackrock wanted a good overview of certain people and certain works that had an impact on Eindhoven’s streets in the past 10 years or so. Next to that of course there are also more traditional tags and old electricity boxes with tags still visible after 15 or even 20 years. Most of these were buffed just recently, so in a way the book shows the ghosts of a past era, and also shows the constant battle with the citycleaners. Also it’s good that a lot of things are put together in one book, unlike big cities there are not so many people constantly going in and out of Eindhoven so a lot of nice things never were seen.
The fact that a lot of people with different backgrounds met in a similar field; producing stuff in the streets that challenged each other to make more and different work. A constructive vibe instead of losing too much energy battling in a negative way. More traditional graffiti always existed next to other expressions, people did both art or design and graffiti and crosshatched these fields. On a personal level all these different people always relatively got along quite well, it’s a small place it makes sense.
Yes…it’s mostly buffed and kept clean. Like most other North-European or at least Dutch cities there is apparently enough money to spend on city-cleaning, and it’s done as a “safety measure”; people feel unsafe and the best way to lighten that feeling is a superficial one. Nothing really changes, it looks and feels “better”, so that makes all the difference. It makes sense I guess in a society that is so much about appearance and looks.
Still people do things so there is still stuff to see, but it’s not as vibrant as before. In the bigger picture it makes sense that things change after a 10-year span.
Definitely check out MU, an art space with good contemporary art and changing exhibitions as well as the Van Abbe Museum, look for Arnol, the loudest streetpreacher ever in the center city, he will give you Jesus’ blessings personally, drink a beer or fifteen at the Lafolie-bar, go to Motta artbooks, break a leg in Area51 skatepark, get your infamous Dutch-cuisine lunch at Dik & Lang, try to be at a Stroomhuis-party, and that should be enough for one day to not come back in quite a while…
(cc) FacemeplsI really like Influenza‘s ongoing experiments in the research of using and abusing our cities and it’s public spaces…I still can’t get over what Mischa Leinkauf and Matthias Wermke did with their film “zwischenzeit”, it’s so good. Did you see Blu’s latest visit to Barcelona? I saw some beautiful stuff from Adams some time ago that make you realise how far some people push things…Ofcourse it’s interesting to see the developments ( or lack of developments) by our beloved (or not so beloved) streetart superstars and the famegame and moneymachine around it, some change in just a decade! Next to that there are so many things happening it takes too much space to type down…not only in street-related fields but in general. The more you see the less you know…

I would just like to find a way to bend time a bit more in my advantage.
If somebody can help me with that, that would be really nice.


Un bien bel autocollant, plein d’innocence, exactement comme je les aime. Pour ce détendre en ce début de semaine une vidéo légère et rythmée de Miss Ming.
A nice sticker seen in SF on a Saturday… (Koleo)
Toi, toi mon toit / Rain does not fall on one roof alone

Une petite série de toits peints dans la Baie. Ca manque de Bonom, mais l’alternance de réclames et de graffiti me parait être un spectacle intéressant.
A little series of painted roofs in the Bay…
http://koleo.ekosystem.org/2009/03/toi-toi-mon-toit-rain-does-not-fall-on-one-roof-alone/